In its scope, depth, and clarity, The Sculptures of Andrea del Verrocchio will rank as one of the finest studies of an Italian sculptor ever published.

A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435–1488) was one of the most versatile and inventive artists of the Italian Renaissance.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations.

In addition to Laurence Kanter's detailed arguments, the book features three essays presenting recent scientific analysis and imaging that support the new attributions of paintings, or parts of paintings, to Leonardo.

The exhibition brings together for the first time extraordinary masterpieces by Andrea del Verrocchio, one of the greatest masters of the fifteenth century, together with fundamental works by artists such as Pietro Perugino, Domenico ...

This book comes after the new exhibit Leonardo and surrondings, curated by Liletta Fornasari. The exhibit presents a head portraying S. Donato (patron saint of Arezzo) by Andrea del Verrocchio.