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... JAZZ AT THE PHILHARMONIC , VOL . 3 Verve MGV - Vol.3 [ M ] 1957 350.00 -Colored vinyl -Reissue of 12 - inch Clef Vol . 3 1953 400.00 Tampa TP - 11 [ M ] 1958 200.00 -Boxed set containing 4001-4007 -Black vinyl JAZZ AT THE PHILHARMONIC ...
... JAZZ AT THE PHILHARMONIC, NEW VOL. 6 Clef MGC-Vol. 6 [M] 1955 50.00 —Combines the 10-inch Vol. 8 and Vol. 9 on one record JAZZ AT THE PHILHARMONIC, NEW VOL. 7 Clef MGC-Vol. 7 [M] 1955 50.00 —Combines the 10-inch Vol. 12 and 13 on one ...
... Jazz At The Philharmonic Crowd Favorite in the 1940s and 1950s,” Legends of Jazz History, Swingmusic.net, http://www ... Jazz at the Philharmonic”). 26. Illinois Jacquet interview; and “Illinois Jacquet: Jazz At The Philharmonic.” 27 ...
... JAZZ AT THE PHILHARMONIC : THE RAREST CONCERTS BANDS : J.A.T.P. ORIGINAL LABEL : Verve 1946 REFERENCES : Verve ( U.S. ) 815149-1 JAZZ AT THE PHILHARMONIC : LESTER YOUNG CARNEGIE BLUES BANDS : J.A.T.P. ORIGINAL LABEL : Verve - Clef 1946 ...
... JAZZ AT THE PHILHARMONIC Recorded at New York's Carnegie Hall in 1952 , this features six cuts , of which the highlight is the nine - minute title track . This is the only one that features both drum legends , the rest being by Krupa ...
... Jazz at the Philharmonic” concert to RCA- Victor executive Mannie Sachs, who rejected them for including mistakes and crowd noise. For Granz, such qualities gave the recordings a special aura that made them more, not less desirable: “I ...
... Jazz at the Philharmonic series that began in the late 1940s and reached its height in the 1950s. A 1953 Time magazine piece on JATP's second European tour began in this fashion. Two thousand Swedish fans turned out in Stockholm last ...
... Jazz at The Philharmonic , Vol . 10 ( 13 ) 35003 Jazz at The Philharmonic , Vol.2 ( 4 ) 35004 Jazz at The Philharmonic , Vol.3 ( 4 ) 35005 Jazz at The Philharmonic , Vol.4 ( 1 ) 35006 Jazz at The Philharmonic , Vol.5 ( 1 ) 35007 Jazz at ...
... Jazz at the Philharmonic was more oriented toward thevisual, as faras appealing to the crowds,” Jones said. “Normanwasmore interested in exhibiting showmanship. That'swhyI eventuallyleft.My ideais to explore the musical possibilityofthe ...