Wyświetlam wyniki dla krzysztof garbaczewski
Zamiast tego wyszukaj krzysztof_garbaczewski
... Krzysztof Garbaczewski (who are also the directors who most often use the camera and other technological inventions), have come to the conclusion that in terms of media consciousness, there is no difference between them and the commonly ...
... Krzysztof Warlikowski, Krzysztof Garbaczewski, Wiktor Rubin, and Jan Klata see their dramaturgs as equal partners in the process of shaping the dramaturgy of theatrical productions.17 In addition to writing texts, the collaboration of ...
... Krzysztof Garbaczewski and Anastasia Vorobiov. 8 See for example: Lundby, K. (Ed.). (2009). Mediatisation: Concept, changes, consequences. New York: Peter Lang Publishing Inc.; Lash, S., & Lurry, C. (2011). Globalny przemysł kulturowy ...
... Krzysztof Garbaczewski and Marcin Cecko, two representatives of the newest generation of Polish theatre artists, the young men claimed Kantor as an inspiration, particularly for their productions Odyssey and The Sexual Life of Savages ...
... Krzysztof Garbaczewski), Grzegorz Bral has given priority to formal experiments and exploration of the grand myths of European and global culture rather than to socially engaged theatre. Following principles canonised by Jerzy Grotowski ...
... Krzysztof Garbaczewski's performances), are becoming more and more daring (⇒ Chapter 56). At the same time, artists inspired by the performing arts and Jacques Rancière's theory of the 'emancipated spectator' (2009) are gaining a ...
... Krzysztof Garbaczewski and Marcin Cecko , two representatives of the newest generation of Polish theatre artists , the young men claimed Kantor as an inspiration , particularly for their productions Odyssey and The Sexual Life of ...
Katarzyna Fazan, Michal Kobialka, Bryce Lease. Gombrowicz in the theatre of Krzysztof Garbaczewski submerged in Gombrowiczʼs œuvre, filtered through that which is uncanny, perverse or monstrous.30 Second, Demirskiʼs assumption that a ...
... Krzysztof Garbaczewski, followed the tenets of 'postdramatic theatre' (Lehmann 2006) and their plays were often socially engaged. 'Postdramatic' aesthetics resonates with postmodernist thinking and involves the 'deconstruction' and ...
... Krzysztof Garbaczewski's and Anna Augustynowicz's productions operate on disability on the strength of the narrative prosthesis while extending the disability diagnosis to the whole world on the stage. With theater still assuming its ...